Saturday, November 20, 2021

Shot List

I decided to create a rough shot list for our music video so that I could envision the music video in my head and therefore feel more prepared for shoot day. This list is rough and bound to change when I come round to editing our music video but I felt that it was necessary to have a rough idea and also so that we know what kind of shots we want to film on our shoot. 

Shot list:

5 seconds before song starts: artist walks into the sofa set and takes a seat as the music starts. Tracking shot, She walks in in a low mid shot, diegetic sounds of feet

0.00-0.07 she crouches down she her face is in the mid shot (after the tracking shot stops), she lights a candle on the coffee table, can contain some close ups of things In the room, posters, fan, plants etc.

0.08-0.17 as she takes the match and blows it out, close up is used, then a mid-shot of her going to sit on the sofa, cutting on the action (her getting up) camera starts to zoom in

0.17-0.19‘really wasn’t thinking bout you’ camera is face on with artist sitting in the middle of the sofa, it zooms in to a close up, artist then turns her head to the left

0.19-0.26 ‘saw you across the room guess you real cute but I’m a mess was you even thinking bout friends’ transition the artist finishes turning her head with the camera now to her side

0.26-0.29 camera swipes to the right wall, she is sitting down on the floor ‘you came out of nowhere greeted me with open arms’

Or…

0.26-0.29 swinging pendulum ‘you came out of nowhere greeted me with open arms’ artist walks forward slightly, either lip-syncing or just walking , camera is in a mid/wide shot

0.29-0.33 table set camera is wide, artist is facing herself at the table ‘guess you had some charm’ she speaks on the left ‘I must be falling hard’ she tells herself on the right

0.34-0.38 ‘ohhhh really got me thinkin’ close up on roman numeral floor

0.38- 0.41  lying on the sofa, straight face, no lip-syncing wide/mid

0.41-0.46  ‘that you were the one the one that I had been missin’ against distressed wall mid shot

0.46-0.49 lying on the sofa, continuing from previous sofa shot wide/mid

0.50-0.53 ‘you were the missing link link link link’ – close ups, changing each beat on ‘link’ changing inbetween clocks and pendulum.

0.54-0.58 ‘tell me what you think about me’ table set, mid shot facing artist, camera tilts down to reveal props on table as she sings  

0.58-1.01 ‘tell my I’m all you need need need needclose ups, changing each beat on ‘need’ changing in between clocks and pendulum.

1.02-1.07 ‘Cos I want you to feel the same about me’ table set, wide shot of table, soloist talking to herself 

1.07-1.15 ‘caught me at the golden hour’ wall of clocks, alternate between wide, mid and close ups

1.15-1.19 ‘caught me at the golden hour’ pendulum wide shot

1.19-1.24 ‘oohohoh’ roman numeral floor in a mid-shot

1.24-1.28 ‘caught me at the golden hour’ wall of clocks, alternate between wide, mid and close ups

1.28-1.32 ‘caught me at the perfect time didn’t wanna say good bye’ duplicate screen in a wide shot, with a couple of close ups

1.32-1.36 ‘caught me at golden hour’ pendulum mid shot

1.36-1.42 ‘ohohohoh’ roman numeral floor in a wide shot

1.42-1.48 ‘you, me, thinking forever things, I wanted something in between’ sofa set, tracking in

1.48-1.51 ‘nothing permanent’ wall of clocks up close, non lip-sync

1.51-1.59‘now I see your love is right for me, opened me up to new things, yeah I’m loving it’ – alternate between pendulum, sofa and roman numeral floor.

1.59-2.07 ‘you really got me thinking’ close up on roman numeral floor

2.07-2.15 ‘that you were the one the one that I had been missin’ against distressed wall mid shot

2.15-2.19 ‘you were the missing link link link link’ – close ups, changing each beat on ‘link’ changing inbetween clocks and pendulum.

2.19-2.23 ‘tell me what you think about me’ table set, mid shot facing artist, camera tilts down to reveal props on table as she sings  

2.23-2.28 ‘tell my I’m all you need need need needclose ups, changing each beat on ‘need’ changing in between clocks and pendulum.

2.28-2.59 use a combination of all sets

2.59-end pendulum set; she walks off on the last beats.

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